Ancien·ne·s récipiendaires des bourses de déplacement

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 1er tour, 2024-2025 (voyage entre le 15 mai et le 14 septembre)

• Yuval Adler (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: ACTOR Timbre and Orchestration Summer School and Y6 Workshop
  • Titre du document/travail présenté: Mapping Perceptual Similarity of an Instrumental Duo’s Extended Techniques
  • Lieu: Vancouver, BC

• Kyrie Ekaterina Bouressa (Sponsor du CIRMMT: Ichiro Fujinaga)
  • Conférence/atelier: Music Encoding Conference
  • Titre du document/travail présenté: Instrument Encoding Matters
  • Lieu: Denton, TX, E.-U.

• Jaeyoung Chong (Sponsor du CIRMMT: John Hollenbeck)
  • Conférence/atelier: New Music On The Point workshop
  • Titre du document/travail présenté: N/A - participating in workshop and composition creation
  • Lieu: Leicester, VT, E.-U.

• Champ Darabundit (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: Joint Meeting 186th Meeting of the Acoustical Society of America/Acoustics Week in Canada
  • Titre du document/travail présenté: Acoustic impedance measurement head design and evaluation
  • Lieu: Ottawa, ON

• Tommy Davis (Sponsor du CIRMMT: Robert Hasegawa)
  • Conférence/atelier: Movement Computing 2024 (MOCO)
  • Titre du document/travail présenté: eTu{d,b}e: Embodied eTube Gestures and Agency
  • Lieu: Utrecht, Pays-Bas

• Valerian Fraisse (Sponsor du CIRMMT: Catherine Guastavino)
  • Conférence/atelier: Design Research Conference (DRS2024)
  • Titre du document/travail présenté: Designing Sound for Public Spaces Through a Research-Creation Collaboration Framework
  • Lieu: Boston, E.-U.

• Matthieu Galliker (CIRMMT sponsor: Caroline Traube)
  • Conférence/atelier: ACTOR Timbre and Orchestration Summer School and Y6 Workshop
  • Titre du document/travail présenté: Collaborative approach to timbre and orchestration: Research and analysis processes around the CORE3 project
  • Lieu: Vancouver, BC

• Mariane Generale (Sponsor du CIRMMT: Isabelle Cossette)
  • Conférence/atelier: International Society for Music Education (ISME) 36th World Conference and its Community Music Activity pre-conference 
  • Titre du document/travail présenté 1: Music for emotion regulation in adulthood
  • Titre du document/travail présenté 2: Group online-music making in a later-life community band
  • Lieu: Tampere and Helsinki, Finlande

• Maxwell Gentili-Morin (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: New Interfaces for Musical Expression (NIME)
  • Titre du document/travail présenté: R-FF: A Single Reed Haptic Library for the TorqueTuner
  • Lieu: Utrecht, Pays-Bas

• Yifan Huang (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: Society for Music Perception and Cognition 2024 conference
  • Titre du document/travail présenté: A cross-cultural comparison of the timbre-semantic space of Chinese instrumental sounds
  • Lieu: Banff, AB

• Noa Kemp (Sponsor du CIRMMT: Catherine Guastavino)
  • Conférence/atelier: Joint Meeting 186th Meeting of the Acoustical Society of America/Acoustics Week in Canada
  • Titre du document/travail présenté: Localizing sounds revolving at very high velocities: an auditory wagon-wheel effect
  • Lieu: Ottawa, ON

• Christophe Lengelé (Sponsor du CIRMMT: Philippe-Aubert Gauthier)
  • Conférence/atelier: Sound and Music Computing Conference
  • Titre du document/travail présenté: Exploring Immersive Sound through a Workshop with the Open Source Tool Live 4 Life: User Insights and Preferences on Event vs. Track-based spatialization and Channel vs. Object- based paradigms
  • Lieu: Porto, Portugal

• Jonathan Lindhorst (Sponsor du CIRMMT: John Hollenbeck)
  • Conférence/atelier: The International Society of Jazz Arrangers and Composers (ISJAC) International Jazz Composers Symposium
  • Titre du document/travail présenté: Tone-Clock Theory and Jazz: Applying Chromatic Tonalities to Contemporary Jazz Composition
  • Lieu: Nashville, TN, E.-U.

• Gaël Moriceau (Sponsor du CIRMMT: Dominic Thibault)
  • Conférence/atelier: ACTOR Timbre and Orchestration Summer School and Y6 Workshop
  • Titre du document/travail présenté: Timbral Exploration in Digital Musical Instruments
  • Lieu: Vancouver, BC

• Theodora Nestorova (Sponsor du CIRMMT: John Mac Master)
  • Conférence/atelier: Performing Arts Medicine Association 42nd Annual Symposium
  • Titre du document/travail présenté: Practical Acoustic, Clinical, & Pedagogical Evaluations of Vibrato Variability: A Workshop on Vocal Vibrato Production, Perception, & Genre/Style
  • Lieu: London, R.-U.

• Juliette Regimbal (Sponsor du CIRMMT: Jeremy Cooperstock)
  • Conférence/atelier: EuroHaptics Conference
  • Titre du document/travail présenté: Investigating Haptic Co-Creation with Reinforcement Learning 
  • Lieu: Lille, France

• Oren Ronen (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: New Interfaces for Musical Expression (NIME)
  • Titre du document/travail présenté: Sonic Touch: A Haptic Toolkit for Fast Vibrotactile Prototyping
  • Lieu: Utrecht, Pays-Bas

• Jade Roth (Sponsor du CIRMMT: Robert Hasegawa)
  • Conférence/atelier: Edinburgh Music Analysis Conference (ED-MAC)
  • Titre du document/travail présenté: Orchestrating and Reorchestrating: Conflicting Formal Structures in Germaine Tailleferre’s Piano Reductions
  • Lieu: Edinburgh, Écosse

• Eto Sun (Sponsor du CIRMMT: Philippe Depalle)
  • Conférence/atelier: The 27th International Conference on Digital Audio Effects (DAFx24)
  • Titre du document/travail présenté: Hybrid Audio Inpainting Approach with Sparse Decomposition and Sinusoidal Modeling
  • Lieu: London, R.-U.

• Richard Yanaky (Sponsor du CIRMMT: Catherine Guastavino)
  • Conférence/atelier: Joint Meeting 186th Meeting of the Acoustical Society of America/Acoustics Week in Canada
  • Titre du document/travail présenté: What is realistic enough? Design considerations for soundscape simulators
  • Lieu: Ottawa, ON

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 2eme tour, 2024-2025 (voyage entre le 15 septembre et le 14 janvier)

• Joseph Chang (Sponsor du CIRMMT: Fabrice Marandola)
  • Conférence/atelier: Canadian Percussion Network: The Space Between III
  • Titre du document/travail présenté: Symmetrical Structures in Xenakis’s Okho: At the Intersection of Mathematics and Literature
  • Lieu: Wolfville, NS, Canada

• Taianara Goedert (Sponsor du CIRMMT: Andrea Creech)
  • Conférence/atelier: 9th SIMM-posium (Social Impact of Music Making)
  • Titre du document/travail présenté: Artistic Citizenship as relational pedagogy in community engagement
  • Lieu: Copenhagen, Denmark

• Maryse Gagnon-Legault (Sponsor du CIRMMT: Dominic Thibault)
  • Conférence/atelier: Elektronmusik Studion, residency
  • Titre du document/travail présenté: -
  • Lieu: Stockholm, Sweden

• Saadi Daftari (Sponsor du CIRMMT: Nicolas Bernier)
  • Conférence/atelier: Speculative Sound Synthesis Symposium 2024
  • Titre du document/travail présenté: From composing history to composing with history
  • Lieu: Graz, Austria

• Vlad Baran (Sponsor du CIRMMT: Wieslaw Woszczyk)
  • Conférence/atelier: Audio Engineering Society 2024
  • Titre du document/travail présenté: A General Overview of Methods for Generating Room Impulse Responses
  • Lieu: New York, NY, USA

• Manuel Felipe Lopez Tovar (Sponsor du CIRMMT: Fabrice Marandola)
  • Conférence/atelier: Canadian Percussion Network: The Space Between III
  • Titre du document/travail présenté: Preliminary study on timpani timbre-blending with cello
  • Lieu: Wolfville, NS, Canada

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 3eme tour, 2024-2025 (voyage entre le 15 janvier et le 14 mai)

• Ziyue Piao (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: ACM TEI 2025 International Conference on Tangible, Embedded, and Embodied Interaction
  • Titre du document/travail présenté: Exploring Haptics to Augment Kinesthetic Learning in Singing
  • Lieu: Bordeaux, France

• Benjamin Lavastre (Sponsor du CIRMMT: Philippe Leroux)
  • Conférence/atelier: RNRM'25 Les futurs des recherches en musique
  • Titre du document/travail présenté: Éléments de technique et de langage dans la composition et l'interprétation avec l'instrument de musique numérique Karlax
  • Lieu: Paris, France

• Ninad Puranik (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2025) / Workshop on Indian Music Analysis and Generative Applications (WIMAGA)
  • Titre du document/travail présenté: Thoughts on mapping and interface design of a keyboard to perform continuous pitch ornamentations in Hindustani music.
  • Lieu: Hyderabad, India

• Joseph Chang (Sponsor du CIRMMT: Fabrice Marandola)
  • Conférence/atelier: North American Conference on Video Game Music (NACVGM)
  • Titre du document/travail présenté: Hirokazu Tanaka’s “Ultimate Catharsis” in Metroid.
  • Lieu: Cleveland, USA

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 1er tour, 2023-2024 (voyage entre le 15 mai et le 14 septembre)

• Alberto Acquilino (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: Stockholm Music Acoustic Conference
  • Titre du document/travail présenté: Detecting efficiency in trumpet sound production: proposed methodology and pedagogical implications
  • Lieu: Stockholm, Suède

• Yuval Adler (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: Timbre 2023 conference and summer school
  • Titre du document/travail présenté: Expanding a Taxonomy of Instrumental Grouping Effects to Align with Contemporary Musical Practices
  • Lieu: Thessalonique, Grèce

• Paul Buser (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: NIME 2023
  • Titre du document/travail présenté: Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub
  • Lieu: Mexico, Mexique

• Champ Darabundit (Sponsor du CIRMMT: Wieslaw Woszczyk)
  • Conférence/atelier: 26th International Conference on Digital Audio Effects (DAFx23)
  • Titre du document/travail présenté: Probabilistic Reverberation Model Based on Echo Density and Kurtosis
  • Lieu: Copenhague, Danemark

• Tommy Davis (Sponsor du CIRMMT: Robert Hasegawa)
  • Conférence/atelier: NIME 2023
  • Titre du document/travail présenté: eTu{d,b}e: Case studies in playing with musical agents
  • Lieu: Mexico, Mexique

• Nicola Giannini (Sponsor du CIRMMT: Robert Normandeau)
  • Conférence/atelier: I3DA 2023, International Conference on Immersive and 3D Audio
  • Titre du document/travail présenté: Immersive spatialized live music composition with performers: a case study, Le vent qui hurle.
  • Lieu: Bologne, Italie

• Gianluca Grazioli (Sponsor du CIRMMT: Wieslaw Woszczyk)
  • Conférence/atelier: I3DA
  • Titre du document/travail présenté: Electroacoustic optimization of a sound system employing cancelling auralizer for producing virtual rooms in live sound scenarios 
  • Lieu: Bologne, Italie

• Lena Heng (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: The 17th International Conference on Music Perception and Cognition
  • Titre du document/travail présenté: Continuous response to perceived affect in music listening: Differences in musical training
  • Lieu: Tokyo, Japon

• Iza Korsmit (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: Timbre 2023
  • Titre du document/travail présenté: The Timbral Origins of Musical Affect 
  • Lieu: Thessalonique, Grèce

• Sara Nejati (Sponsor du CIRMMT: Luc Monceau)
  • Conférence/atelier: Canadian Biomaterials Society (CMS) 2023
  • Titre du document/travail présenté: AI-guided prediction of porous GelMA/PEGDA hydrogels’ properties 
  • Lieu: Halifax, Canada

• Julian Neri (Sponsor du CIRMMT: Philippe Depalle)
  • Conférence/atelier: 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)
  • Titre du document/travail présenté: Towards Real-Time Single-Channel Speech Separation in Noisy and Reverberant Environments
  • Lieu: Île de Rhodes, Grèce

• Theodora Nestorova (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: The Voice Foundation’s 52nd Anniversary Symposium: Care of the Professional Voice
  • Titre du document/travail présenté: Vocal Vibrato Characteristics in Historical and Contemporary Opera, Operetta, and Schlager
  • Lieu: Philadelphie, É-U

• Ninad Puranik (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: Forum Acusticum 2023
  • Titre du document/travail présenté: Clamped bar model for free reeds
  • Lieu: Turin, Italie

• Jonas Regnier (Sponsor du CIRMMT: Robert Hasegawa)
  • Conférence/atelier: Timbre 2023 conference and summer school
  • Titre du document/travail présenté: Timbral simulation with a string quartet
  • Lieu: Thessalonique, Grèce

• Louis-Michel Tougas (Sponsor du CIRMMT: Philippe Leroux)
  • Conférence/atelier: ACTOR Y5 Workshop
  • Titre du document/travail présenté: Speech as model for orchestration - a comparative study between Cantonese and Québécois French
  • Lieu: Strasbourg, France

• Linglan Zhu (Sponsor du CIRMMT: Stephen McAdams)
  • Conférence/atelier: The 17th International Conference on Music Perception and Cognition (ICMPC)
  • Titre du document/travail présenté: Comparison of perceived and imagined instrumental blend
  • Lieu: Tokyo, Japon

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 2eme tour, 2023-2024 (voyage entre le 15 septembre et le 14 janvier)

• Tommy Davis (Sponsor du CIRMMT: Robert Hasegawa)
  • Conférence/atelier: 2023 International Institute for Critical Studies in Improvisation (IICSI) Conference: Sound, Meaning, Education: conversations & improvisations
  • Titre du document/travail présenté: eTu{d,b}e: embodying improvising musical agents through a spatialized eTube practice
  • Lieu: Guelph, ON

• Kasey Pocius (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: 2023 International Institute for Critical Studies in Improvisation (IICSI) Conference: Sound, Meaning, Education: conversations & improvisations
  • Titre du document/travail présenté: eTu{d,b}e: embodying improvising musical agents through a spatialized eTube practice
  • Lieu: Guelph, ON

• Ezra Teboul (Sponsor du CIRMMT: Philippe-Aubert Gauthier)
  • Conférence/atelier: Annual Meeting of the Society for the History of Technology 
  • Titre du document/travail présenté: Reverse Engineering Reverse Engineering in musical electronics history 
  • Lieu: Los Angeles, CA, E-U

• Richard Yanaky (Sponsor du CIRMMT: Catherine Guastavino)
  • Conférence/atelier: Inter-noise 2023
  • Titre du document/travail présenté: Exploring the use of soundscape sketchpads with professionals
  • Lieu: Chiba, Japon

Récipiendaires des bourses de voyage pour étudiant·e·s du CIRMMT, 3eme tour, 2023-2024 (voyage entre le 15 janvier et le 14 mai)

• Takuto Fukuda (Sponsor du CIRMMT: Philippe Leroux)
  • Conférence/atelier: TENOR 2024
  • Titre du document/travail présenté: EMA: An Analytical Framework For The Identification Of Game Elements In Gamified Screen-Score Works
  • Lieu: Zurich, Switzerland

• Stuart Jackson (Sponsor du CIRMMT: Fabrice Marandola)
  • Conférence/atelier: Reembodied Sound
  • Titre du document/travail présenté: Reconstructing Coefficient, David Tudor's composition for frictional percussion and electronics
  • Lieu: Troy, NY, USA

• Pierre-Luc Lecours (Sponsor du CIRMMT: Nicolas Bernier)
  • Conférence/atelier: TENOR 2024
  • Titre du document/travail présenté: Sound synthesis notation applied to performance: two case studies.
  • Lieu: Zurich, Switzerland

• Miranda Jackson (Sponsor du CIRMMT: Gary Scavone)
  • Conférence/atelier: Joint Meeting 186th Meeting of the Acoustical Society of America/Acoustics Week in Canada 
  • Titre du document/travail présenté: A Study of Impedance of Brass Instruments and Mouthpieces - Comparison of Models and Measurement with a Detailed Examination of Viscothermal Losses
  • Lieu: Ottawa, ON

• Kasey Pocius (Sponsor du CIRMMT: Marcelo Wanderley)
  • Conférence/atelier: Sonorities Festival Belfast 2024
  • Titre du document/travail présenté: “eTu{d,b}e for spatialised improvising agents", “eTu{d,b}e de Labo #1”, “eTu{d,b}e”
  • Lieu: Belfast, UK

• Hubert Gendron-Blais (CIRMMT sponsor: Eric Lewis)
  • Conference/workshop: Unheard Landscapes - X International FKL Symposium on Soundscape
  • Title of paper/work presented: Résonances Manifestes
  • Location: Blois, France
    
    
• Danielle Benesch (CIRMMT sponsor: Jérémie Voix)
  • Conference/workshop: 181st Meeting of the Acoustical Society of America
  • Title of paper/work presented: A general-purpose pipeline to interface the Tympan hardware with an external computer
  • Location: Seattle, USA

• Ky Brooks (CIRMMT sponsor: Ilja Frissen)
  • Conference/workshop: AUDIO+
  • Title of paper/work presented: DIY synth building workshop ; Panel: Rethinking Signal Flow: Gender, audio education and professional development in the recording arts in Canada
  • Location: Victoria, BC, Canada

Due to COVID-19, Travel Awards were temporarily suspended and replaced by the Online Conference Award. Those who have been awarded funding for 2020-2021 will attend the conference and present online. See recipient information on the Past Online Conference Award page.

Round 1 (for travel between May 15th and September 14th 2017)

• Jan Anlauff (CIRMMT sponsor: Jeremey Cooperstock)
• Conference/workshop: World Haptics Conference 2017
• Title of paper/work presented: VibeWalk - Foot-based tactics during walking
• Location: Munich, Germany

• Jeronimo Barbosa de Costa (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: The 17th International Conference on New Interfaces for Musical Expression
• Title of paper/work presented: Exploring Playfulness in NIME Design: The Case of Live Looping Tools
• Location: Copenhagen, Denmark

• Juan Sebastian Delgado (CIRMMT sponsor: Fabrice Marandola)
• Conference/workshop: Savvy Arts Venture Challenge, final round competition
• Title of paper/work presented: Multimodal Visual Augmentation for cello performance (CIRMMT Student Award 2016/17)
• Location: Columbia, South Carolina, USA

• Julie Deslisle (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: 9th European Music Analysis Conference (Euromac)
• Title of paper/work presented: Analysis of Jour, contre jour by Gérard Grisey: A perceptual approach
• Location: Strasbourg, France

• Lei Fu (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: VSA-Oberlin Acoustics Workshop (VSA: Violin Society of America)
• Title of paper/work presented: Violin quality evaluation experiment
• Location: Oberlin, Ohio, USA

• Takuto Fukuda (CIRMMT sponsor: Philippe Leroux)
• Conference/workshop: International ilSuono Academy for Young Composers
• Title of paper/work presented: New Game Piece for a flute and live electronics
• Location: Città di Castello, Italy

• Mariane Generale (CIRMMT sponsor: Richard King)
• Conference/workshop: AES 143rd Convention
• Title of paper/work presented: Sound Recording Competition/E-Brief 
• Location: New York, USA
• Yaolong Ju (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: The 18th International Society for Music Information Retrieval Conference
• Title of paper/work presented: Automatic Chord Identification for Bach Chorales Using Deep Neural Networks
• Location: Suzhou, China
• Connor Kemp (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: Materials Research Society - Fall Meeting and Exhibit 2017
• Title of paper/work presented: Microstructural origins of creep and fatigue behaviour of Arundo Donax L using nanoindentation, XRD and internal friction measurements 
• Location: Boston, USA
• Esteban Maestre (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: 20th International Conference on Digital Audio Effects (DAFx-17)
• Title of paper/work presented: Constrained pole optimization for modal reverberation
• Location: Edinburgh, Scotland
• Denis Martin (CIRMMT sponsor: Richard King)
• Conference/workshop: AES 143rd Convention
• Title of paper/work presented: Dynamic Range Controller Ear Training: Description of a Methodology, Software Application, and Required Stimuli
• Location: New York, USA
• Eduardo Meneses (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: The Brazilian Symposia on Computer Music (SBCM 2017)
• Title of paper/work presented: Embedding Microcontroller and Audio Interface in an Augmented Musical Instrument
• Location: Sao Paolo, Brasil
• Landon Morrison (CIRMMT sponsor: Robert Hasegawa)
• Conference/workshop: Tracking the Creative Process in Music
• Title of paper/work presented: Technomorphic Transcriptions in Philippe Leroux's M (1997), m'M (2003), and AMA (2009)
• Location: Huddersfield, UK
• Julian Neri(CIRMMT sponsor: Philippe Depalle)
• Conference/workshop: 20th International Conference on Digital Audio Effects (DAFx-17)
• Title of paper/work presented: REDS: A New Asymmetric Atom for Sparse Audio Decomposition and Sound Synthesis
• Location: Edinburgh, Scotland
• Olivier Valentin (CIRMMT sponsor: Jérémie Voix)
• Conference/workshop: Acoustics Week in Canada 2017
• Title of paper/work presented: EARtrodes: Towards a wireless in-ear custom-fitted brain computer interface
• Location: Guelph, Ontario
• Ofer Pelz (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: Crypt Sessions
• Title of paper/work presented: Repetition Blindness World Premiere
• Location: New York, USA
• Malcolm Sailor (CIRMMT sponsor: Jon Wild)
• Conference/workshop: Society for Music Theory 2017
• Title of paper/work presented: Renaissance "Dissonance Fingerprints": A Corpus Study of Dissonance Treatment from Dufay to Victoria
• Location: Arlington, USA
• Zi Hua Tan (CIRMMT sponsor: Aiyun Huang)
• Conference/workshop: Transplanted Roots: Percussion Research Symposium
• Title of paper/work presented: The Breathing Canvas
• Location: Brisbane, Australia

Round 3 (for travel between January 15th and May 14th 2018)

Round 1 (for travel between May 15th and September 14th 2016)

• Audrey-Kristel Barbeau (CIRMMT sponsor: Isabelle Cossette)
• Conference/workshop: 32nd World Conference of the International Society for Music Education (ISME 2016)
• Title of paper/work presented: Music Performance Anxiety among Older Amateur Musicians
• Location: Glasgow, UK
• Benjamin Duinker (CIRMMT sponsor: Jon Wild)
• Conference/workshop: MUSCAN 2016 - Canadian University Music Society Annual Conference 2016
• Title of paper/work presented: Toward a sound-based definition of the Golden Age hip-hop aesthetic
• Location: Calgary, Canada
• Kazazis Savvas (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: International conference on music perception and cognition (ICMPC)
• Title of paper/work presented: Testing the Robustness of the Timbre Toolbox and the MIRtoolbox
• Location: San Francisco, USA
• Connor Kemp (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: International Congress on Acoustics 2016 - Structural Acoustics and Vibration
• Title of paper/work presented: Material Properties and Microstructure Contributions to Vibrational Damping in Arundo Donax L - Reed Cane for Woodwind Instruments
• Location: Buenos Aires, Argentina
• Catherine Massie-Laberge (CIRMMT sponsor: Isabelle Cossette)
• Conference/workshop: International conference on music perception and cognition (ICMPC)
• Title of paper/work presented: Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances
• Location: San Francisco, USA
• Ofer Pelz (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: ManiFeste-2016 (IRCAM)
• Title of paper/work presented: marchons, marchons
• Location: Paris, France
• Christopher Soden (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: International conference on music perception and cognition (ICMPC)
• Title of paper/work presented: How timbre and expressive intent influence musical communication of emotion
• Location: San Francisco, USA
• Daniel Steele (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: Internoise 2016
• Title of paper/work presented: Evaluation of an urban soundscape intervention with music: quantitative results from questionnaires
• Location: Hamburg and Berlin, Germany
• Gabriel Vigliensoni (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: 17th International Society for Music Information Retrieval Conference (ISMIR2016)
• Title of paper/work presented: Automatic music recommendation systems: do demographic, profiling, and contextual features improve their performance?
• Location: New York, USA
• Jacob Wiens (CIRMMT sponsor: Robert Hasegawa)
• Conference/workshop: MusCan2016
• Title of paper/work presented 1: 'People aren't sounds, Are they?': Liminality as a Vantage for Analysis: The Play of Spectral Techniques
• Title of paper/work presented 2: Afrological Improvisation in the Music of Steve Lehman
• Location: Calgary, Canada

Round 2 (for travel between September 15th 2016 and January 14th 2017)

• Robert Landon Morrison (CIRMMT sponsor: Robert Hasegawa)
• Conference/workshop: Making Time in Music
• Title of paper/work presented: On the Grid: A Socio-technical  Perspective on the Digital Quantization of Musical Time 
• Location: Oxford, UK
• William Howie (CIRMMT sponsor: Richard King)
• Conference/workshop: Audio Engineering Society 141st Convention
• Title of paper/work presented: A Three-Dimensional Orchestral Music Recording Technique, Optimized for 22.2 Multichannel Sound
• Location: Los Angeles, USA
• Bryan Martin(CIRMMT sponsor: Wieslaw Woszczyk)
• Conference/workshop: Audio Engineering Society 141st Convention
• Title of paper/work presented 1: The Fender 5F6-A Bassman Circuit: A 21st Century Adaptation 
• Title of paper/work presented 2: Subjective Graphical Representation of Microphone Arrays for Vertical Imaging and Three-Dimensional Capture of Acoustic Instruments, Part I. 
• Location: Los Angeles, USA
• Saavas, Kazazis (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: International Conference on Digital Audio Effects (DAFx16) 
• Title of paper/work presented: Audio Morphing using Audio Descriptive Synthesis
• Location: Brno, Czech Republic

Round 3 (for travel between January 15th and May 14th 2017)

• Jeronimo Costa (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: NIME 2015
• Title of paper/work presented 1: What does "Evaluation" mean for the NIME community 
• Title of paper/work presented 2: Designing DMIsfor popular music in the Northeast Brazil: Lessons learned 
• Location: Baton Rouge, USA
• Marcello Giordano (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: Sound and Music Computing (SMC) 2015 
• Title of paper/work presented 1: Vibrotactile Stimulation for Tempo Synchronization in Music Performance 
• Title of paper/work presented 2: Design and Development of a Whole-Body Tactile Garment for fillinxfi, a Multisensory Art Installation
• Location: Maynooth, Ireland
• Bryan Martin (CIRMMT sponsor: Wieslaw Woszczyk & Richard King)
• Conference/workshop: Innovation in Music 2015
• Title of paper/work presented: Mixing Popular Music in Three Dimension
• Location: Cambridge, UK
• Brian Mathias (CIRMMT sponsor: Caroline Palmer)
• Conference/workshop: Annual Meeting of the Society for Music Perception & Cognition
• Title of paper/work presented: Electrophysiological correlates of hearing the past, present, and future during music performance
• Location: Nashville, USA
• David Rafferty (CIRMMT sponsor: George Massenberg)
• Conference/workshop: Daegu Contemporary Music Festival
• Title of paper/work presented: Instruments with Real-time processing with computer 
• Location: Daegu, South Korea
• Kai Siedenburg (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: Annual Meeting of the Society for Music Perception & Cognition
• Title of paper/work presented: Verbal and auditory memory in North-Indian tabla
• Location: Nashville, USA
• Cecilia Taher (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: Keele Music Analysis Conference and Society for Music Analysis
• Title of paper/work presented: A Musical Form of Sound: Périodes by Gérard Grisey
• Location: Keele, UK
• Francesco Tordini (CIRMMT sponsor: Jeremy Cooperstock)
• Conference/workshop: International Conference on Auditory Display
• Title of paper/work presented: The loud bird doesn't (always) get the worm: Why computational salience also needs brightness and tempo
• Location: Graz, Austria

Round 2 (for travel between September 15th 2015 and January 14th 2016)

• Jeffrey Blum (CIRMMT sponsor: Jeremy Cooperstock)
• Conference/workshop: 28th ACM User Interface Software and Technology Symposium (UIST 2015)
• Title of paper/work presented: Improving haptic feedback on wearable devices through accelerometer measurements
• Location: Charlotte, NC, USA
• Ian Hattwick (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: International Computer Music Conference
• Title of paper/work presented: Composition techniques for the Ilinx vibrotactile garment
• Location: Denton, Texas, USA
• Denis Martin (CIRMMT sponsor: Richard King)
• Conference/workshop: 139th Audio Engineering Society Conference
• Title of paper/work presented: Advanced technical ear training: The development of an innovative set of exercises for audio engineers
• Location: New York, USA
• Gintas Norvilla (CIRMMT sponsor: Richard King)
• Conference/workshop: 139th Audio Engineering Society Conference
• Title of paper/work presented: Home Organ - A recorded work by Gintas Norvila, as performed by TEARS
• Location: New York, USA
• Yong Shi (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: Vienna Talk 2015
• Title of paper/work presented: LBM simulation of the quasi-static flow in a clarinet
• Location: Vienna, Austria
• Moe Touizrar (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: 4th International Conference on Music and Emotion (ICME4)
• Title of paper/work presented: Visual and orchestral components of musical affect in dramatic scenes
• Location: Geneva, Switzerland

Round 3 (for travel between January 15th and May 14th 2016)

• Matthew Boerum (CIRMMT sponsor: Richard King)
• Conference/workshop: Audio Engineering Society 61st International Conference on Audio for Games
• Title of paper/work presented: Lateral listener movement on the horizontal plane
• Location: London, UK
• Rachel Bouserhal (CIRMMT sponsor: Jérémie Voix)
• Conference/workshop: 2016 Annual National Hearing Conference - "Making Sound Waves"
• Title of paper/work presented: The Effect of Occluding the Ear on Variations in Voice Level and Fundamenral Frequency with Changing Background Noise Level and Talker-to-Listener Distance: A pilot study
• Location: San Diego, California, USA
• Zhengdong Lei (CIRMMT sponsor: Luc Mongeau)
• Conference/workshop: 10th International Conference on Voice Physiology and Biomechanics
• Title of paper/work presented: Voice type discrimination by analyzing neck surface skin acceleration signals: Preliminary results on single vowels
• Location: Viña del Mar, Chile
• Catherine Massie-Laberge (CIRMMT sponsor: Isabelle Cossette)
• Conference/workshop: Porto International Conference on Musical Gesture as Creative Interface
• Title of paper/work presented: Motion analyses of romantic priano performances: Incidence of the musical structure on expressive gestures
• Location: Porto, Portugal
• João Felipe Santos (CIRMMT sponsor: Tiago Falk)
• Conference/workshop: AES 60th conference
• Title of paper/work presented: Blind room acoustics characterization using recurrent neural networks and modulation spectrum dynamic
• Location: Leuven, Belgium 

Round 1 (for travel between April 1st and June 30th 2014)

• Benjamin Bacon (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: International Workshop on Movement and Computing
• Title of paper/work presented: Handedness in percussion sight-reading
• Location: Paris, France
• James Bronson (CIRMMT sponsor: Philippe Depalle)
• Conference/workshop: IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) 2014
• Title of paper/work presented: Phrase constrained complex NMF: Separating overlapping partials in mixtures of harmonic musical sources
• Location: Florence, Italy
•  Emily Coffey (CIRMMT sponsor: Robert Zatorre) 
• Conference/workshop: Organization for Human Brain Mapping 2014
• Title of paper/work presented: MEG as a complementary tool to study auditory brainstem response to complex sounds
• Location: Hamburg, Germany
• Martin Marier (CIRMMT sponsor: Jean Piché)
• Conference/workshop: New Interfaces for Musical Expression (NIME) 2014
• Title of paper/work presented: Musical work: Origami; Paper: Designing mappings for the sponge: Towards spongistic music
• Location: London, UK
• Bryan Martin (CIRMMT sponsor: Wieslaw Woszczyk)
• Conference/workshop: 136th International Audio Engineering Society Convention (AES)
• Title of paper/work presented: The sonic characteristics of the jazz style electric bass guitar
• Location: Berlin, Germany
• Robert Landon Morrison (CIRMMT sponsor: Robert Hasegawa)
• Conference/workshop: International Conference for the Electroacoustic Music Studies Network (EMS) 2014
• Title of paper/work presented: Acousmographe V E analysis: A comparative study of graphic representation tools based on an aural analysis of Philippe Leroux's M.E.
• Location: Berlin, Germany
• Anna Zamm (CIRMMT sponsor: Caroline Palmer)
• Conference/workshop: Erasmus Mundus Cognitive Neuroscience Symposium
• Title of paper/work presented: Temporal coordination in ensemble music performance
• Location: Leipzig, Germany

Round 2 (for travel between July 1st and September 30th 2014)

• Anthony Bolduc (CIRMMT sponsor: Alain Berry)
• Conference/workshop: AES conference on spatial audio
• Title of paper/work presented: Sound field reproduction of vibroacoustic models: application to a plate with wave field synthesis
• Location: Helsinki, Finland
• Thor Kell (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: Sound and Music Computing 2014
• Title of paper/work presented: A high-level review of mappings in musical ios applications
• Location: Athens, Greece
• Yong Shi (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: International symposium on musical acoustics 2014
• Title of paper/work presented: Numerical simulation of whistles using Lattice Boltzman methods
• Location: Le Mans, France
• Cecilia Taher (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: International conference on music perception and cognition
• Title of paper/work presented: Effects of repetition on the perception of musical texture
• Location: Seoul, South Korea
• Zi Hua Tan (CIRMMT sponsor: Philippe Leroux)
• Conference/workshop: Royaumont Voix Nouvelles Course
• Title of paper/work presented: A new work for soprano (Neue Vocalsolisten) and string quartet (Quatuor Diotima)
• Location: Asnieres-sur-oise, France
• Gabriel Vigliensoni-Martin (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: SoMeRA2014: International Workshop on social medial retrieval and analysis
• Title of paper/work presented 1: Identifying time zones in a large dataset of music listening logs
• Title of paper/work presented 2: Features for describing music listening
• Location: Gold Coast, Queensland, Australia

Round 3 (for travel between October 1st and January 14th 2015)

• Alejandro Aspinwall (CIRMMT sponsor: Richard King)
• Conference/workshop: 137th Audio Engineering Society Conference
• Title of paper/work presented: Orchestral Recording and Live Webcasting at McGill University
• Location: Los Angeles, California, USA
• Jan Anlauff (CIRMMT sponsor: Jeremy Cooperstock)
• Conference/workshop: HAVE 2014 - Haptics and Virtual Environments
• Title of paper/work presented: Wearable Computing for Ubiquitous Balance
• Location: Dallas, Texas, USA
• Diego Espinosa Cruz Gonzalez (CIRMMT sponsor: Aiyun Huang)
• Conference/workshop: Tokyo Experimental Festival vol.9
• Title of paper/work presented: The Performing Body: Instruments, Items, and Machines
• Location: Tokyo, Japan
• Connor Kemp (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: Symposium on the Acoustic of Poro-elastic Materials
• Title of paper/work presented: Observing stiffness variablity in reed (arundo donax) and the resulting vibrational response using FEM
• Location: Stockholm, Sweden
• Michael Klein (CIRMMT sponsor: Robert Zatorre)
• Conference/workshop: Society for Neuroscience 2014
• Title of paper/work presented: fMRI pattern analysis of played vs. perceived piano sequences in dorsal/ventral cortical streams
• Location: Washington DC, USA
• Sven-Amin Lembke (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: 9th Conference on Interdisciplinary Musicology - CIM14
• Title of paper/work presented: Timbre's role in music: investigating its dependency on pitch and dynamics during musical performance
• Location: Berlin, Germany

Round 3 (for travel between January 15th and May 14th 2015)

• Audrey-Kristel Barbeau (CIRMMT sponsor: Isabelle Cossette)
• Conference/workshop: The 9th International Conference for Research in Music Education
• Title of paper/work presented: It's never to late! Learning music after 60: The impact of participating in an intergenerational New Horizons Band on seniors' health and quality of life
• Location: London, UK
• Rachel Bou-Serhal (CIRMMT sponsor: Jeremie Voix)
• Conference/workshop: International Conference on Acoustics, Speech, and Signal Processing
• Title of paper/work presented: On the potential for artificial Bandwidth Extension of bone and tissue conducted speech
• Location: Brisbane, Australia
• Will Howie (CIRMMT sponsor: Richard King)
• Conference/workshop: 138th AES International Convention
• Title of paper/work presented: Microphone techniques of three-dimensional classical music recording
• Location: Warsaw, Poland

Round 1 (for travel between April 1st and June 30th 2013)

Round 1 (for travel between April 1st and June 30th 2012)

• SongHui Chon (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: Acoustics 2012 Hong Kong
• Title of paper/work presented: Investigation of timbre saliency, the attention-capturing quality of timbre
• Location: Hong Kong, China
• Andrew Hankinson (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: AdMIRe: Advances in Music Information Retrieval
• Title of paper/work presented: Creating large-scale searchable digital collections from printed music materials
• Location: Lyon, France

• Ian Hattwick (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: Symposium on Laptop Ensembles and Orchestras
• Title of paper/work presented: An approach to collaborative performance in a digital music ensemble
• Location: Baton Rouge, Louisiana, USA

• Terri Hron (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: Electroacoustic Music Studies 2012
• Title of paper/work presented: Locating the work and its meaning: Searching for notation and common ground in electroacoustic music
• Location: Stockholm, Sweden

• Doyuen Ko (CIRMMT sponsor: Wieslaw Woszczyk)
• Conference/workshop: Audio Engineering Society Convention
• Title of paper/work presented: Evaluation of a new active acoustics system in performances of five string quartets
• Location: Budapest, Hungary

Round 2 (for travel between July 1st and September 30th 2012)

• Frédéric Chiasson (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: World Saxophone Congress
• Title of paper/work presented: La Lame de l'horizon plus another work
• Location: St Andrew's, Scotland

Round 3 (for travel between October 1st and December 31st 2012)

• Dave Benson (CIRMMT sponsor: Wieslaw Woszczyk)
• Conference/workshop: 133rd Convention of the Audio Engineering Society (AES)
• Title of paper/work presented: Searching impulse response libraries using room acoustic descriptors
• Location: San Francisco, USA

• Gregory Burlet (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: International Society for Music Information Retrieval Conference (ISMIR)
• Title of paper/work presented: Neon.js: NeumeEditor online
• Location: Porto, Portugal
• Jason Hockman (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: International Society for Music Information Retrieval Conference (ISMIR)
• Title of paper/work presented: One in the jungle: Downbeat detection in the hardcore, jungle, and drum and bass
• Location: Porto, Portugal
• Denis Martin (CIRMMT sponsor: Richard King)
• Conference/workshop: 133rd Convention of the Audio Engineering Society (AES)
• Title of paper/work presented: Student recording competition
• Location: San Francisco, USA
• Alfonso Perez Carillo (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: ACM Workshop on Music Information Retrieval with User-Centred and Multimodal Strategies (MIRUM)
• Title of paper/work presented: Learning and extraction of violin instrumental controls from audio signal
• Location: Nara, Japan

Round 4 (for travel between January 1st and March 31st 2013)

• Brice Gatinet (CIRMMT sponsor: Philippe Leroux)
• Conference/workshop: Impuls
• Title of paper/work presented: Boson 
• Location: Graz, Austria
• Jung Suk Lee (CIRMMT sponsor: Gary Scavone and Philippe Depalle)
• Conference/workshop: AES 49th International Conference
• Title of paper/work presented: Granular analysis/synthesis for simple and robust transformations of complex sounds
• Location: London, UK
• Daniel Steele (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: Geoinformatics for City Transformations
• Title of paper/work presented: The sensor city initiative: Cognitive sensors for soundscape transformations
• Location: Ostrava, Czech Republic

Round 1 (for travel between April 1st and June 30th 2011)

• Jamila Andoh (CIRMMT sponsor: Robert Zatorre)
• Conference/workshop: Magstim 2011 TMS Summer School
• Title of paper/work presented: Modulation of music processing using rTMS and fMRI
• Location: Oxford, United Kingdom

• Mathieu Bergeron (CIRMMT sponsor: Ichiro Fujinaga) - TRAVEL CANCELLED
• Conference/workshop: 3rd International Conference on Mathematics and Computation in Music (MCM) 2011
• Title of paper/work presented: Subsumption of vertical viewpoint patterns
• Location: Paris, France

• Erika Donald (CIRMMT sponsor: Isabelle Cossette)
  • Conference/workshop: New Interfaces for Musical Expression (NIME) 2011
  • Title of paper/work presented: Designing the EP Trio: Instrument indentities, control and performance practice in an electronic chamber music ensemble / Performance: Three Shot, by E. Britton.
  • Location: Oslo, Norway

Round 2 (for travel between July 1st and September 30th 2011)

• Rafa Absar (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: HCI International 2011
• Title of paper/work presented: Nonspeech sound design for a hierarchical information system
• Location: Orlando, Florida, USA

• Michel Bernays (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: International Sysmposium on Performance Science (ISPS 2011)
• Title of paper/work presented: Verbal expression of piano timbre: Multidimensional semantic space of adjectival descriptors
• Location: Toronto, ON, Canada

• Guillaume Boutard (CIRMMT sponsor: Catherine Guastavino)
  • Conference/workshop: Tracking the Creative Process in Music 2011
  • Title of paper/work presented: Informer les archives des musiques électroacoustiques et mixtes par les processus de création
  • Location: Lille, France

• Frédéric Chiasson (CIRMMT sponsor: Caroline Traube)
  • Conference/workshop: Society for Music Perception and Cognition (SMPC) Conference 2011
  • Title of paper/work presented: Koechlin's volume: Effects of native language and musical training on perception of auditory size among instrument timbres
  • Location: Rochester, New York, USA

• Meghan Goodchild (CIRMMT sponsor: Stephen McAdams) - TRAVEL CANCELLED
  • Conference/workshop: Society for Music Perception and Cognition (SMPC) Conference 2011
  • Title of paper/work presented: The Effect of Orchestration Changes on Continuous Responses of Emotional Intensity
  • Location: Rochester, New York, USA

• Sean Hutchins (CIRMMT sponsor: Isabelle Peretz)
  • Conference/workshop: Pan-European Voice Conference (PEVOC) 9
  • Title of paper/work presented: Voice Perception and Production in Congenital Amusia
  • Location: Marseilles, France

• Corey Keruliuk (CIRMMT sponsor: Philippe Depalle)
  • Conference/workshop: 14th International Conference on Digital Audio Effects
  • Title of paper/work presented: Atomic Models for Analysis, Synthesis and Digital Audio Effects
  • Location: Paris, France

• Sven-Amin Lembke (CIRMMT sponsor: Stephen McAdams)
  • Conference/workshop: Society of Music Perception and Cognition (SMPC) Conference 2011
  • Title of paper/work presented: The Relevance of Spectral Shape to Perceptual Blend Between Wind Instrument Timbre
  • Location: Rochester, New York, USA

•  Carolina Medeiros (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop:8th Sound and Music Computing Conference
• Title of paper/work presented: Evaluation of sensor technologies for a kalimba-like DMI
• Location: Padova, Italy

• Marlon Schumacher (CIRMMT sponsor: Sean Ferguson)
  • Conference/workshop: International Computer Music Conference (ICMC) 2011
  • Title of paper/work presented: Representations and interchange of sound spatialization data for compositional applications
  • Location: Huddersfield, UK

• David Sears (CIRMMT sponsor: Stephen McAdams)
  • Conference/workshop: 51st Annual Meeting of the Society for Psychophysiological Research
  • Title of paper/work presented: Predicting the Psychophysiological Responses of Listeners with Musical Features
  • Location: Boston, Massachusetts, USA

Round 3 (for travel between October 1st and December 31st 2011)

Round 1 (for travel between April 1st and June 30th 2010)

• Mitchel Benovoy (CIRMMT sponsor: Jeremy Cooperstock)
• Conference/workshop: Computer Human Interaction (CHI) 2010
• Title of paper/work presented: Psychophysiological signal analysis and classification
• Location: Atlanta, USA

• Mary Alison Conard (CIRMMT sponsor: Jon Wild)
• Conference/workshop: University of Calgary Graduate Student Conference - Confounding Expectations:  Inspiring Minds
• Title of paper/work presented: "Remember that lovely slow introduction?" said the Allegro con spirito when it became troubled
• Location: Calgary, Alberta

• Vincent Fréour (CIRMMT sponsor: Isabelle Cossette)
• Conference/workshop: Congrès Français d'Acoustique (CFA) 2010
• Title of paper/work presented: Simultaneous measurements of pressure, flow and sound during trumpet playing
• Location: Lyon, France

• Andrew Hankinson (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: Digital Humanities Summer Institute (DHSI)
• Title of paper/work presented: Distributed optical music recognition
• Location: Victoria, Canada

• Rodolphe Koehly (CIRMMT sponsor: Marcelo Wanderley) - TRAVEL CANCELLED
• Conference/workshop: New Interfaces for Musical Expression (NIME) 2010
• Title of paper/work presented: Development kit for the fabrication of ultimate resistive based contact sensors 
• Location: Sydney, Australia

• Sarah Payne (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: International Association People-Environment Studies (IAPS)
• Title of paper/work presented: Improving the composition and terminology of Perceived Restorativeness (Soundscape) Scales
• Location: Leipzig, Germany

• Mario Schumacher (CIRMMT sponsor: Sean Ferguson)
• Conference/workshop: 2nd International Symposium on Ambisonics and Spherical Acoustics 2010
• Title of paper/work presented: Compositional control of periphonic sound spatialization
• Location: Paris, France

• Grzegorz Sikora (CIRMMT sponsor: Martha de Francisco)
• Conference/workshop: Audio Engineering Society (AES) Convention
• Title of paper/work presented: Acoustic space sampling & the grand piano in a non-anechoic environment: A recordist-centric approach to musical acoustic study
• Location: London, England

• Mary Elizabeth Sutherland (CIRMMTsponsor: Robert Zatorre)
• Conference/workshop: 16th Annual Meeting of the Organization for Human Brain Mapping
• Title of paper/work presented: Grey matter density in auditory regions at age ten predicts ability on a melodic task five years later
• Location: Barcelona, Spain

Round 2 (for travel between July 1st and September 30th 2010)

• Rachel Brown (CIRMMT sponsor: Caroline Palmer)
• Conference/workshop: 11th International Conference on Music Perception and Cognition (ICMPC)
• Title of paper/work presented: Neurological and behavioral basis for auditory-motor transformations in music performance
• Location: Seattle, USA

• Erika Donald (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: 11th International Conference on Music Perception and Cognition (ICMPC)
• Title of paper/work presented: Effects of the tempo on bow arm and center of mass movements in cellists and their pedagogical implications
• Location: Seattle, USA

• Charles-Antoine Fréchette (CIRMMT sponsor: Sean Ferguson)
• Conference/workshop: Stage at Centre Acanthes
• Title of paper/work presented: Nature vive (string quartet with electronics)
• Location: Metz, France

• Meghan Goodchild (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: 11th International Conference on Music Perception and Cognition (ICMPC)
• Title of paper/work presented: Expression and perception of formal structure in an unmeasured prelude for harpsichord
• Location: Seattle, USA

• Philippe Hamel (CIRMMT sponsor: Douglas Eck)
• Conference/workshop: 11th International Society for Music Information Retrieval (ISMIR) Conference
• Title of paper/work presented: Learning features from music audio with deep belief networks
• Location: Utrecht, the Netherlands

• Jason Hockman (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: 11th International Society for Music Information Retrieval (ISMIR) Conference
• Title of paper/work presented: Fast vs. slow: Learning tempo octaves from user data
• Location: Utrecht, the Netherlands

• Jung Suk Lee (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: 13th International Conference on Digital Audio Effects (DAFx-10)
• Title of paper/work presented: Analysis/Synthesis of rolling sounds using a source-filter approach
• Location: Graz, Austria

• Martin Marier (CIRMMT sponsor: Jean Piché)
• Conference/workshop: New Interfaces for Musical Expression (NIME) 2010 
• Title of paper/work presented: The Sponge: A flexible interface
• Location: Sydney, Australia

• David Sears (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: 11th International Conference on Music Perception and Cognition (ICMPC)
• Title of paper/work presented: Are bodily responses pre-musical? Psychophysiological applications to music analysis
• Location: Seattle, USA

• Anna Tirovolas (CIRMMT sponsor: Daniel Levitin)
• Conference/workshop: 17th Annual Meeting of the Society for the Scientific Study of Reading (SSSR)
• Title of paper/work presented: Extending the RAN task to musical pitches and durations
• Location: Berlin, Germany

Round 3 (for travel between October 1st and December 31st 2010)

Round 4 (for travel between January 1st and March 31st 2011)

Round 1 (for travel between April 1st and June 30th 2009)

• Mike Collicutt (CIRMMT sponsor: Marcelo Wanderley)
• Conference/workshop: New Interfaces for Musical Expression (NIME) 2009
• Title of paper/work presented: From Real to Virtual: A Comparison of Input Devices for Percussion Tasks 
• Location: Pittsburgh, USA

• François-Xavier Féron (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: International Conference on Auditory Display (ICAD) 2009
• Title of paper/work presented: Upper limits of auditory motion perception: The case of rotating sounds
• Location: Copenhagen, Denmark

• Ilja Frissen (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: International Conference on Auditory Display (ICAD) 2009
• Title of paper/work presented: Perception of reverberation in large single and coupled volumes 
• Location: Copenhagen, Denmark

• Jason Hockman (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: New Interfaces for Musical Expression (NIME) 2009
• Title of paper/work presented: Real-time Phase Vocoder Manipulation by Runner's Pace 
• Location: Pittsburg, USA

• David Andrew Stewart (CIRMMT sponsor: Marcelo Wanderley)  
• Conference/workshop: Electroacoustic Music Studies Network, Conference 2009 
• Title of paper/work presented: Digital Musical Instrument Composition: Limits and Constraints 
• Location: Buenos Aires, Argentina

• Jean-Mary Zarate (CIRMMT sponsor: Robert Zatorre)
• Conference/workshop: Organization for Human Brain Mapping 
• Title of paper/work presented: Neural networks involved in voluntary vocal pitch regulation in singers 
• Location: San Francisco, USA

Round 2 (for travel between July 1st and September 30th 2009)

• Michel Bernays (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM) 2009
• Title of paper/work presented: Piano Timbre: Perception and verbal description of aggregate piano timbres by highly skilled pianists 
• Location: Seattle, Jyväskylä, Finland 

• Johanna Devaney (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: Society for Music Perception and Cognition 
• Title of paper/work presented: Intonation tendencies in solo a cappella vocal performances 
• Location: Indianapolis, USA

• Meghan Goodchild (CIRMMT sponsor: Stephen McAdams)
• Conference/workshop: Society for Music Perception and Cognition
• Title of paper/work presented: Temporal patterns and formal structures in the performance of an unmeasured prelude for harpsichord 
• Location: Indianapolis, USA

• Maryse Lavoie (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM) 2009
• Title of paper/work presented: Sonetics: A phonetic approach to the study of musical timbre 
• Location: Jyväskylä, Finland 

• Janeen Loehr (CIRMMT sponsor: Caroline Palmer)
• Conference/workshop: Joint Action Meeting (JAM III)
• Title of paper/work presented: Action representations in joint music performance 
• Location: Amsterdam, the Netherlands

• Cléo Palacio-Quintin (CIRMMT sponsor: Marcelo Wanderley) - TRAVEL CANCELLED
• Conference/workshop: 6th Sound and Music Computing Conference and Training School on Interactions with Environmental Sounds 
• Title of paper/work presented: The Hyper-Bass-Flute 
• Location: Porto, Portugal

• Jessica Phillips-Silver (CIRMMT sponsor: Isabelle Peretz)
• Conference/workshop: 4th International Conference on Spatial Cognition 
• Title of paper/work presented: Music embodied in dance: Studies of dance-like movement in different populations 
• Location: Rome, Italy

• Valorie Salimpoor (CIRMMT sponsor: Robert Zatorre) - TRAVEL CANCELLED
• Conference/workshop: International Conference on Music and Emotions
• Title of paper/work presented: An investigation of the psychophysiological, neurofunctional, and neurochemical basis of pleasurable emotions in response to music
• Location: Durham, England

• Bertrand Scherrer (CIRMMT sponsor: Philippe Depalle) - TRAVEL CANCELLED
• Conference/workshop: 12th International Conference on Digital Audio Effects 
• Title of paper/work presented: Extracting the modal parameters of the horizontal and vertical transverse polarisations of a guitar 
• Location: Como, Italy

• Amie Watson (CIRMMT sponsor: Aiyun Huang)
• Conference/workshop: SoundSCAPE: Sound, Composition and Performance Exchange 
• Title of paper/work presented: Contemporary chamber music performance 
• Location: Pavia, Italy

Round 3 (for travel between October 1st and December 31st 2009)

Round 4 and Extra Round (for travel between January 1st and March 31st 2010)

Round 1 (for travel between April 1st and June 30th 2008)

• Rafa Absar (CIRMMT sponsor: Catherine Guastavino)
• Conference/workshop: ICAD 2008
• Title of paper/work presented: Usability of non-speech sounds in user interfaces
• Location: Paris, France

• Michel Bernays (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: Acoustics '08
• Title of paper/work presented: Perception, verbal description and gestural control of piano timbre
• Location: Paris, France

• Anjali Bhatara (CIRMMT sponsor: Daniel Levitin)
• Conference/workshop: International Meeting for Autism Research (AMFAR)
• Title of paper/work presented: The effect of music on social attribution in autism spectrum disorders
• Location: London, England

• Johanna Devaney (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: Annual Meeting of the Canadian University Music Society (Part of CFHSS Congress 2008)
• Title of paper/work presented: Performance analysis: The potential of recordings in testing quantitative aspects of music theories
• Location: Vancouver, Canada

• Antoine Lefebvre (CIRMMT sponsor: Gary Scavone)
• Conference/workshop: Acoustics '08
• Title of paper/work presented: Input Impedance Measurements of Conical Acoustic Systems using the Two-Microphone Technique
• Location: Paris, France

• Cléo Palacio-Quintin (CIRMMT sponsor: Caroline Traube)
• Conference/workshop: New Interfaces for Musical Expression (NIME08)
• Title of paper/work presented: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives
• Location: Genova, Italy

Round 2 (for travel between July 1st and September 30th 2008)

• Olivier Bélanger (CIRMMT sponsor: Jean Piché)
• Conference/workshop: International Computer Music Conference 2008
• Title of paper/work presented: Ounk - An audio scripting environment for signal processing and music composition
• Location: Belfast, Ireland

• Cory McKay (CIRMMT sponsor: Ichiro Fujinaga)
• Conference/workshop: International Conference on Music Information Retrieval
• Title of paper/work presented: Combining Features Extracted From Audio, Symbolic and Cultural Sources
• Location: Philadelphia, USA

• Xenia Pestov (CIRMMT sponsor: Sean Ferguson)
• Conference/workshop: International Computer Music Conference 2008
• Title of paper/work presented: Analogue vs. Digital: Authenticity and Sustainability in Stockhausen's "MANTRA"
• Location: Belfast, Ireland

• Bertrand Scherrer (CIRMMT sponsor: Philippe Depalle)
• Conference/workshop: 11th International Conference on Digital Audio Effects (DAFx2008)
• Title of paper/work presented: Two-Step Modal Identification For Increased Resolution Analysis of Percussive Sounds
• Location: Espoo, Finland

• Michel Vallières (CIRMMT sponsor: Stephen McAdams)

• Conference/workshop: CIM '08
• Title of paper/work presented: Intrinsic formal functionality: perception of Mozart's materials
• Location: Thessaloniki, Greece

• Mark Zadel (CIRMMT sponsor: Gary Scavone)

• Conference/workshop: International Computer Music Conference 2008
• Title of paper/work presented: Recent Developments in the Different Strokes Environment
• Location: Belfast, Ireland

Round 3 (for travel between October 1st and December 31st 2008)

Round 4  (for travel between January 1st and March 31st 2009)