Workshop on empirical, analytical and speculative approaches to tuning

This workshop is organized by CIRMMT Research Axis 3 (Musical information retrieval, archiving and analysis). It will take place on January 18th, in A832 (New Music Building). This workshop is free and open to all. Registration is required.

Registration

Registration is mandatory as seating is limited (30 seats): Workshop on empirical, analytical and speculative approaches to tuning - registration

Description

Tuning - the study of exact intervallic relationships between the pitches of a musical system, composition, or performance - lies at the intersection of several music-related disciplines. In a series of short papers, the speakers will demonstrate their various approaches and join in discussion of the issues raised. 

Guests / Speakers

  • Johanna Devaney, Ohio State University, USA
  • Paul Erlich, Independent researcher, Boston, Massachusetts, USA
  • Robert Hasegawa, Schulich School of Music, McGill University
  • William Sethares, University of Wisconsin, USA
  • Jon Wild, CIRMMT, Schulich School of Music, McGill University

Schedule

The following talks will be given:

Johanna Devaney: Empirically evaluating vocal intonation

Paul Erlich: Commas, temperaments, and scales

Bob Hasegawa: Strange attractors: Chaotic form in Tristan Murail’s Attracteurs étranges

William Sethares: Experiments on the relationship between Perde and Seyir in Turkish Maqam music

Jon Wild: Freshman harmony exercises from a parallel universe