Feedback days – 3rd edition

Feedback days – 3rd edition

Feedback Days is organized by Sabrina Caron and Merlin Campbell with the support of Dominic Thibault, Laboratoire Formes·Ondes and CIRMMT.

Description

The Feedback Days provides a forum for exchange on the expressive potential of feedback interpretation in music. Networking, the sharing of technical, theoretical and conceptual knowledge, the advancement of research-creation work and sound creation are at the heart of the meetings. For this 3rd edition, we are honored to welcome Preston Beebe, internationally renowned percussionist, composer and sound artist, to talk about his latest performance: Living Systems.

Registration and call for presentations

The Journées Feedback invites artists, lecturers and researchers who integrate feedback into their practice to submit their applications. **Please note: The call for presentation has been extended to 20 November.

To register to attend the workshop, please fill out this form.

Eligibility criteria:

  • Use feedback in artistic practice, research or research-creation.
  • Give a 30–60 minute presentation on your artistic practice.
  • Innovative proposals will be favoured.

Your proposal should include a single PDF with the following elements:

  • Project description with an overview of the theme and objective (Maximum 500 words)
  • Type of presentation: workshop, conference or other
  • Artistic approach (Maximum 300 words)
  • Curriculum vitae (Maximum 3 pages)
  • Technical sheet with a list of equipment required for the activity. (Audio, video, other)
  • Visual documentation. (Maximum of 10 images)
  • Video or audio documentation (Vimeo or YouTube links)

To submit your proposal:

  • Your PDF document must be identified without accents, symbols or spaces as follows: jfb3_firstname_lastname.jpg
  • Submit your file to the following address: sabrina.caron[AT]umontreal[DOT]ca
  • Submission deadline: November 20, 2024

For selected projects, we will provide:

  • A performance hall
  • Technical assistance
  • Technical equipment (audio and video)
  • Promotion of the event
  • Lunch