Workshop on introducing CRIC: Centre de Recherche sur l'Interprétation au Clavecin

This workshop is organized by CIRMMT Research Axis 3 (Musical information retrieval, archiving and analysis). It will take place on June 14th, in A832 (New Music Building). This workshop is free and open to all. Registration is required.

Atelier ou réunion de recherche
14 Juin 2012
10:00 - 15:00
A832, New Music Building, 527 Sherbrooke St. West.
iCal

Registration

Registration is mandatory as seating is limited (26 seats): Workshop on CRIC: Centre de Recherche sur l'Interprétation au Clavecin - registration

Description

Centre de Recherche sur l’Interprétation au Clavecin (CRIC) (Research Centre for Harpsichord Performance) is a SSHRC-funded research project. Our main aim is to support innovative performance practices such as the use of a computerized harpsichord in concert and the realistic reproduction of a real performance in a different tuning. This workshop will serve as the introduction to this project. We will express our goals and present our current research. We will also have invited speakers present on related research topics and we will discuss various research issues with the workshop participants.

Guests/speakers

  • Pierre-Yves Asselin, Affiliate member, CIRMMT; Syncord-Art
  • Yves Beaupre, Les clavecins Beaupré
  • Bruno Gingras, Department of Cognitive Biology, University of Vienna
  • Jason Hockman, CIRMMT, Schulich School of Music, McGill University
  • Hannah Robertson, CIRMMT, Schulich School of Music, McGill University
  • Jean-François Tétu, Electrical Engineering Department, École de Technologie Supérieure
  • Dan Tidhar, Centre for Music and Science, Cambridge University

Schedule

09:00-09:10 - Hank Knox and Ichiro Fujinaga: Introduction to CRIC: Centre de Recherche sur l’Interprétation au Clavecin (Research Centre for Harpsichord Performance)

09:10-09:35 - Yves Beaupre: Présentation d'un clavecin électro-mécanique (On the design and construction of a novel electro-mechanical harpsichord)

09:35-10:00 - Pierre-Yves Asselin: Origin and evolution of a touch sensitive action for traditional pipe organ applied to the harpsichord

10:00-10:25 - Jean-François Tétu: Development of a harpsichord-computer interface

10:25-10:50 - Hannah Robertson: Automated rule-based extraction of figured bass from symbolic scores

10:50-11:15 - Coffee break

11:15-11:40 - Dan Tidhar: Police and beyond: Temperament estimation from harpsichord recordings

11:40-12:05 - Jason Hockman: Score following of live soloists towards basso continuo

12:05-12:30 - Bruno Gingras: Expression and perception of artistic individuality in harpsichord performance

12:30-14:00 - Lunch